Wednesday, March 28, 2018

It 2017 en Cine

It 2017 en Cine






It 2017 en Cine- común -AVCHD-MP4- Ver título transmisión en HD - información -año- película .jpg



It 2017 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Éléa Bastian


Coordinador de acrobacias:
Torri Beenish


Diseño de guión:
Feryel Ebbonie


Imágenes : Branson Lafond
Co-Produzent : Voleta Lindsey


Productor ejecutivo : Viardot Pope


Director de arte supervisor:
Bahar Betsy


Produce|Producir : Pietro Addison


Fabricante: Shana Dinet


Actriz : Acacia Orlin








7.2
12410















































Título de la película






It 2017 en Cine







Duración




131 minutos





Lanzamiento




2017-09-06





costo




WMV 1440p
Bluray





Categoría




Horror





habla




English





nombre de reparto




Neven
T.
Coden, France TélévisionRexford T. Ambur, Divine Y. Rahma







[HD] It 2017 en Cine


"Skarsgård goes to hell and back to craft a truly malevolent creation, utterly believable as the black soul of King’s cursed small town..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/9/6/it.html
**This movie went right to the trash.** I cannot believe what Warner Bros has done for this piece of trash.
Yes, there have been rave reviews for this movie, but we recommend that you do not mind them, as we should not be teaching children on how to safely get sodomized by a monster.

These directors' brains are also in the trash. Now let's put the MPAA R rating right into the trash where it is supposed to go. Final warning: **Don't let your kids watch trash.**
More _Fucked-Up-Coming-of-Age_ than _Monster-Movie-Slasher-Horror_. Which is what it should be, but perhaps not what it's marketed to be. Stephen King's _It_ is one of my all time favourite books, and I don't know that it will ever get a faithful adaptation (totally understandable seeing as the thing is 1200 pages and contains a multi-book spanning mythology of Space Gods and Turtle vomit), but this does a pretty good job of interpreting the feeling of the novel, even if it's not a great adaptation the events as a whole.

The kids are all great, Skarsgård makes for a good Pennywise, Pennywise improves as the piece moves forward, and the town is completely believable as "Derry" in the '80s. It may not be all it's purported to be, but is a very impressive film on its own merits.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
If you are gonna watch this movie go to the theatres and watch it...It's way more scarier than Annabelle: Creation and you will have lots of jump scares too.
Something certainly rings true in the horror thriller **It** that capitalizes on that common known fear that clowns are creepy annoyances to those that have an intense phobia towards them. In the case of **It’s** dastardly powder-faced joyboy or shall we say corrosive killjoy Pennywise the Dancing Clown, he definitely takes the cake in terms of his treacherous tendencies to quiet the unsuspecting kiddies in devious fashion. Here is a tip, parents, do not invite the poisonous Pennywise to your kids’ birthday party any time soon to blow up balloons and sing songs. This is just a friendly little warning. There is more to elaborate on regarding the sicko circus funnypants freak later.

Director Andy Muschietti (‘Mama’) delves into this surprisingly delicious twisted and terrorizing tale of a killer clown that gets his jollies off snuffing the lives out of rural-based youngsters in this calculating frightfest that pushes all the right buttons of panic and perversion. Skilfully edgy and traumatically tasty, **It** is a refreshing throwback to old-fashioned gory-minded gems where the boundaries of old-fashioned scare tactics were designed not only by the actual act of homicidal happenings but the mere suggestive nature of the heinous hedonism taking place. Polished and gripping in its shadowy and shifty overtones, **It** is convincingly probing as an absorbing psychological character study with an off-kilter sense of defiance in its naughty commentary on youthful innocence being compromised.

Based on the novel from famed hair-raising author Stephen King, **It** delivers the solid, sordid goods of a wild and wicked imagination following the acidic exploits of a menacing clown in the aforementioned Pennywise (played with penetrating and devilish aplomb by Bill Skarsgard from ‘Atomic Blonde’) whose murderous methods of slaughtering the young has been a staple signature in his madness for centuries now. The surviving tykes in the quaint town of Derry, Maine must now safeguard themselves from the makeup-wearing whackjob and figure out a way to terminate the baggy-panted beast before he continues to strike again and victimize another doomed child.

The backstory behind Pennywise’s existence is that he is some shape-shifting demon that emerges from the sewers only to target the unlucky rugrat in his immediate path while conniving, and conducting his blood-thirsty ways. However, there are a group of children that refuse to play dead for the demented clown and the quest to create an ill-advised showdown with the deplorable Pennywise would prove to be a very violent and mentally scarring experience in the process.

The story centres around young Bill (Jaeden Lieberher, ‘Allegiant’) and his early encounter with the sadness of unknowingly witnessing Pennywise’s wrath as it was inferred that the clown had to do with the demise of his precious little brother, George (Jackson Robert Scott), who never returned after enthusiastically wanting to work on a fun project in the basement. This haunting revelation sticks with poor Bill until this very day.

Nowadays, Bill must cope with the typical obstacles at school avoiding bullies and dealing with the pitfalls of peer pressure and needing to belong to a group of trusty associates. Thus, Bill is able to cement close relationships with the town’s other free-spirited youngsters. Still, there is that hovering myth about the mysterious sewers and, yes, the evil-minded Pennywise is at the forefront of fearful concern for Bill and the bunch. In fact, the gang will succumb to their collection of fears, paranoia and hesitation as the suburban legend of the creep-seeking clown clouds each of the kids’ tainted psyches.

The ensemble of young actors in **It** all register accordingly with their characters’ childhood shock in trying to overcome the overwhelming and petrifying mindset that has invaded their sensibilities. Lieberher has an authentic raw turn as the lead lad invested in the bizarre boundaries of matching wits with the demonic chalk-skinned trickster and his committed craziness. The other supporting cast of exposed kiddies on this adventurous train wreck of terror includes Sophia Lillis (’37’), Finn Wolfhard (from television’s ‘Stranger Things’), Jeremy Ray Taylor (‘Alvin And The Chipmunks: The Road Chip’), Wyatt Oleff (‘Guardians Of The Galaxy”), Chosen Jacobs, Jack Dylan Grazer (‘Tales Of Halloween’) and Nicholas Hamilton (‘Captain Fantastic’).

There is no doubt that Skarsgard’s clown of corrosion in Pennywise steals the show with his nefarious nature blistering shamelessly in seedy-minded elation. Clearly, Skarsgard chews the tarnished scenery with his abominable costumed cretin tip toeing on the unassuming sidelines while striking gory goosebump moments for his pubescent prey on screen and the twitchy audience off screen.

Sure, **It** suffers from the conventional trappings of cheesy false alarm jolts and the obligatory lurking in the dark sequences are arbitrarily tossed in as an aftermath for the legitimate lunacy of our star-making crazed and corruptible clown to perform his showboating insanity. Besides, what horror showcase has not welcomed the invitation of the overused and abused jump-scare techniques highlighted by a jittery soundtrack? Still, Muschietti and screenwriters Chase Palmer, Cary Joji Funkunga and Gary Dauberman manage to supply the infectious and insidious **It** with well-executed scary shenanigans, well-paced anxiety, wavering vulnerability and decent acting on behalf of the performers that aptly brought to life the eerie visions and vitality of King’s complex, creative mind.

Truly **It** is one of the best harrowing and in-depth horror/psychological thrillers to emerge in 2017. Also this titillating tale of cautionary kiddie chaos may be one of King’s formidable movie adaptions since the effective tension-filled, off-the-wall brilliance of 1990’s _Misery_.

**It** (2017)

Warner Bros. Pictures and New Line Cinema

1 hour 35 minutes

CAST: Bill Skarsgard, Jaeden Lieberher, Sophia Lillis, Finn Wolfhard, Jeremy Ray Taylor, Wyatt Oleff, Chosen Jacobs, Nicholas Hamilton and Jack Dylan Grazer

DIRECTOR: Andy Muschietti

WRITERS: Chase Palmer, Cary Joji Funkunaga, Gary Dauberman

MPAA Rating: R

GENRE: Horror/Mystery & Suspense

Critic’s Rating: *** stars (out of 4 stars)

(c) **Frank Ochieng** 2017
It is a movie that looked interesting, but I wasn't necessarily anticipating, because it had the potential to be awful. After seeing it, I can say that while it is good, I don't think it's nearly as good as other people are saying it is, and it had the potential to be. Starting off with the good, the film has some fantastic performances from the kids. I think the best performances in the film are from Andy Skaarsgard (or however you spell it) for Pennywise, and the kid who had asthma. I don't know his name, and I haven't seen him in anything before, but he stole the show. The movie also has some pretty scary moments. The scene inside of the house is one of the scariest scenes of the year, and there are lost of images that were genuinely disturbing. While the films was full of cheesy dialogue, the conversations between the kids are extremely entertaining and captivating. When it came to characters, MOST of the characters are well done and fleshed out. And that leads me to one of the 4 things that keep this film from being great in my eyes. Some characters, such as the bullies and Stan, and bland and have no back story. Therefore, whenever they are put in danger, it isn't nearly as scary as with other characters. Another reason I didn't love this film is the rock fight scene. Basically, the Losers Club stumbles upon the bullies and they throw rocks at each other. The rocks seemingly bounce off of their head without any problems like a trampoline. No one gets killed, or even knocked out. Overall, it was a very bad scene. For the most part the special effects were pretty good. However, the leper outside of the creepy house was awful. The costume would be great if it were for a haunted house or prank, but not for a big budgeted horror movie. When it came on screen I literally thought it was a bully playing tricks on him. And the last problem I have with the film is that the police are seemingly nowhere, along with parents. *Mild spoilers* One of the bullies murders his dad, a police officer, and then around a few scenes later, the son dies too. The bullies like to go around thereatening kids with knives and carving H's into their bellies. I think we would see at least one police officer investegating something in the film, and if not, I think my parents would notice if one day I came home and there was a gigantic blood pool on my shirt. Overall, It is a very fun movie. There are certainly better movies out there, but with this, I have an urge to go watch it again in theaters. It is a perfectly fun popcorn flick.

Score: 7.5/10
Great acting, memorable characters. One of the best (horror?) films I've watched.
In a small town in Maine, seven children known as The Losers Club come face to face with life problems, bullies and a monster that takes the shape of a clown called Pennywise.

Arveprins Knud Wikipedia den frie encyklopædi ~ Hans Kongelige Højhed Arveprins Knud til Danmark Knud Christian Frederik Michael 27 juli 1900 – 14 juni 1976 var en dansk var søn af Kong Christian 10 og Dronning Alexandrine og yngre bror til Kong Frederik 9 Prins Knud var dansk tronfølger fra 1947 til 1953 og havde titel af arveprins fra 1953 til sin død

Kyndelmisse Wikipedia den frie encyklopædi ~ Kyndelmisse eller Mariæ renselsesdag er en gammel kristen helligdag den 2 blev kaldt for Kjørmes isse er en fordanskning af de latinske ord for lysmesse Kyndel candelarum lys og missa messe Et andet ord var kermesse og heraf kom kørmesse og kjø er den dag halvdelen af vinteren er gået hvilket også ligger til grund for vendingen om at

Genforeningen i 1920 Wikipedia den frie encyklopædi ~ Baggrund I første halvdel af 1800tallet var der opstået en strid om hvorvidt Slesvig var tysk eller dansk Sprogligt set var området blandet mellem tysk dansk og tligt set påpegede man fra dansk side at hertugdømmet Slesvig var et gammelt dansk len mens man fra tysk side var imod alle forsøg på at knytte Slesvig tættere til kongeriget

Ingolf af Rosenborg Wikipedia den frie encyklopædi ~ Ingolf blev født den 17 februar 1940 på Sorgenfri Slot i Kongens Lyngby nord for København som prins til var det andet barn og den ældste søn af Prins Knud og Prinsesse CarolineMathilde af Danmark og var Kong Christian 10 og Dronning Alexandrines andet barnebarn Fem år før hans fødsel i 1935 var hans storesøster Prinsesse Elisabeth blevet født og to år efter hans

Jens Okking Wikipedia den frie encyklopædi ~ Jens Dyhr Okking født 18 december 1939 død 21 januar 2018 var en dansk skuespiller og politiker Han medvirkede i en lang række danske film siden sin debut i Oktoberdage For sit arbejde modtog han tre Bodilstatuetter bedste birolle i Nitten røde roser og for bedste hovedrolle i Strømer og At klappe med een hånd Han var en af de første ledere af Jomfru Ane Teatret

Gentrificering Wikipedia den frie encyklopædi ~ Gentrificering og urban gentrificering betegner de socioøkonomiske kommercielle og demografiske forandringer i et byområde som følge af at rigere mennesker køber ejendom i et mindre velstående samfund Som konsekvens stiger den gennemsnitlige indkomst mens den gennemsnitlige families størrelse falder hvilket kan resultere i en udsættelse af de beboere med lavere indkomster på

Harald Plum Wikipedia den frie encyklopædi ~ Opvækst og karriere Harald Plum voksede op i et velhavende købmandshjem i Assens som søn af købmand Niels Munk Plum 18411905 og hustru Agnes Nicoline Christiane Skovby 1846

Snabela Wikipedia den frie encyklopædi ~ Oprindelse Snabela mentes tidligere at være opstået som en ligatur for det latinske ord ad en ligatur der kan sammenlignes med ogtegnet der er en sammenskrivning af det latinske et som betyder og En anden forklaring baserede sig på et middelalderligt håndskrift fra 1536 hvor det mentes at repræsentere en amfora og brugt som vægt og rumfangsenhed

Dronning Alexandrine Wikipedia den frie encyklopædi ~ Christian 10 døde i 1947 Efter kongens død foranledigede hendes søn Frederik 9 at hun bevarede titlen dronning og undgik at blive tituleret tilbragte i sine sidste år meget af tiden på Marselisborg Slot hvortil hun inviterede københavnske skolebørn på ferieophold Dronning Alexandrine døde 28 december 1952 på Sankt Lukas Stiftelsen i Hellerup nær København

Den Spanske Syge Wikipedia den frie encyklopædi ~ Den spanske syge var en pandemi der rasede i 50 millioner døde heraf 14000 danskere Sygdommen spredtes til store dele af verden og ikke bare til Europa Nordamerika og Asien men også til Alaska og øer i Stillehavet og havde dermed karakter af en pandemi



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